Literary Thinker, Researcher, and Teacher  

Specializations: Transnational, Global, and Postcolonial Literature | African and African Diaspora Literature | World Literature | Critical Theory | Translation Studies | Psychoanalysis 

About
Rachit Anand is an Assistant Professor of Literary Studies in the English and Communications Program at the American University of Armenia in Yerevan. He teaches specialized courses in World Literature and Literary Theory as well as survey courses in all periods of English Literature.

He completed his PhD in Comparative Literature at the University at Buffalo in 2023, where he has also taught in the English Department as a visiting assistant professor from 2023 till 2025.

His research focuses on the significance of allegorical thinking in 20th and 21st century novel, with a special focus on the function of translation in anglophone fiction. His work has appeared in English in Africa, Cultural Critique, and The Comparatist.
Psychoanalysis from Elsewhere, Penumbr(a), A Journal of Psychoanalysis & Modernity, vol. 4 (Co-Editor with Fernanda Negrete)

Psychoanalysis from Elsewhere, Penumbr(a), A Journal of Psychoanalysis & Modernity, vol. 4 (Co-Editor with Fernanda Negrete)

9/27/2025

Psychoanalysis sets itself apart from the rest of Western thought by its theoretical and clinical investment in the unfamiliar ––das Unheimlich–– as a key site of knowledge. In this light, the impact non-Western life practices and knowledge systems have had on psychoanalysis remains understudied. The substantial momentum of this issue arises from this gap as it tracks the traces left behind by psychoanalysis outside the West. However, the journey we wish to undertake is not from outside the West back to psychoanalysis; such an approach would return us to the scene of extraction of intellectual resources from around the world in the service of the West. Instead, we seek to reverse the direction of the flow of this inquiry to ask what psychoanalysis has to offer to peo- ple situated in spaces outside the Western world. We understand psy- choanalysis to be a practice that refuses to reduce what is Other to the familiar, and we also see it as an unheimlich practice endlessly undergo- ing transformations in its encounters and trajectories in the elsewhere.

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“Extra-Poetics of the English Language in The Pole”

“Extra-Poetics of the English Language in The Pole”

The Pole(s): Coetzee and Others, Research Seminar, Jagiellonian University, Kraków, Poland

A Rootless Language

A Rootless Language

Novel Languages, Society for Novel Studies Biennial Conference, Duke University, Durham, North Carolina

The Epidermal Racial Schema and Psychoanalysis

The Epidermal Racial Schema and Psychoanalysis

LACK V Conference, Otterbein University, Columbus, Ohio

At the Limit of Form: Re-examining the Problematics of Form and Meaning in Coetzee’s Early Fiction

At the Limit of Form: Re-examining the Problematics of Form and Meaning in Coetzee’s Early Fiction

Dusklands at Fifty Conference, University of Cape Town, Cape Town, South Africa (Remote)

On Idleness in South Africa

On Idleness in South Africa

Southern Concepts, American Comparative Literature Association (ACLA) Annual Meeting, Chicago, Illinois

Photography, or the Form of Shame

Photography, or the Form of Shame

Northeastern Modern Language Association (NeMLA), Baltimore, Maryland

The Shadow of a Word: Thinking Allegorically with J.M. Coetzee

The Shadow of a Word reconfigures our understanding of allegory in twentieth and twenty-first century literature and philosophy. This book is focused on the works of a single author as it is interested in elaborating upon the intricacies of the term allegory rather than the variety of its forms in contemporary literature. However, the findings of this book are pertinent to the works of various other contemporary authors. J.M. Coetzee, the South African novelist who was awarded the Nobel prize in 2003, is the sole focus of this study because his fiction offers a singular point of access to study the structure of allegory and allegorical thinking in the contemporary world shaped by the histories of colonial and racial violence. Despite the centrality of allegory and allegorical thinking in postcolonial fiction and criticism, this issue has received surprisingly little attention in recent scholarship, even though it is a powerful theoretical operator for many scholars.

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